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Created by Daito Manabe, Continuum Resonance is an installation where autonomous artworks installed in each space of “VS” interact with each other by sharing mathematical algorithms, music programming, and 3D architectural data.

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Goal Seeking consists of small robots with a vibration motor that are only powered through a solar panel and an external artificial light source. In a space to their own, the small, simple robots move around. Their energy cycle is wasteful, the space is confined and the movements of the robots are seemingly irrelevant, but through their number and the boundaries bringing the robots together, collective behavior emerges…

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ESC is a game where the protagonist attempts to escape their own reality. Unlike most video games, which offer players an escape into narrative worlds where they wield power, ESC flips this dynamic, exploring themes of freedom and constraint in video games and highlighting the limits of our own existence.

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Created by Dries Depoorter and Manu Siebens, Recharge XL is an installation featuring chairs where you can relax while charging your phone, but only with your eyes closed.

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    Lecturer/Senior Lecturer at Monash University

    he Faculty of Information Technology at Monash University in Melbourne, Australia, is seeking dynamic and innovative individuals for multiple Level B Lecturer and Level C Senior Lecturer positions across three departments:

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    The sixteenth edition of Montréal’s ELEKTRA festival took place from May 13th-17th and delivered a range of audiovisual performances and installations addressing the notion of ‘post-audio’ or perception beyond sound—CAN was on hand to have our retinas singed and eardrums buzzed by the ‘POST-AUDIO’-themed programming.

    Developed at the MIT Media Lab’s Mediated Matter group, Living Mushtari is a 3D printed wearable with 58 meters of internal fluid channels designed to function as a wearable microbial factory that uses synthetic microorganisms to convert sunlight into useful products for the wearer.

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    Created by convivial project, The Probable Universe is an interactive audio-visual installation generating an infinite combination of projected worlds in a physical environment using an industrial robotic arm.

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    Developed by the Innovation Lab of Milla & Partner GmbH, a German interaction and spatial design agency based in Stuttgart and Berlin, NO_THING is a tracking and mapping framework that uses infrared light to turn portable physical objects into interactive displays.

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    Berlin-based Canadian artist Darsha Hewitt engages in an extended conversation with CAN about her new online video tutorial series dedicated to the Wurlitzer Side Man—the world’s oldest drum machine.

    483 Lines is the latest installation by Seoul based studio Kimchi and Chips and is comprised of 483 nylon threads with projections calibrated in 3D to the 16m threads using Rulr, an open source node-based toolkit developed by the studio.

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    Created by Martin Hertig at ECAL, Sensible Data is a playful installation consisting of three machines that collect user’s personal data, evaluates mood, age, gender and beauty, to create a ‘passport’ that user can take away but which also randomly sent (without user’s knowledge) to another participant.

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    Since its inception in 2008, CreativeApplications.Net has been a driving force, tirelessly influencing and shaping the conversations surrounding technology, society, and critical making. With a vast library boasting over 3,500 meticulously curated projects, experiments, texts, and reviews, CAN stands resolute as an unparalleled resource for students, educators, practitioners, curators, and cultural producers alike, serving as an enduring beacon guiding them through the complexities of the digital era. However, as we navigate the ever-shifting landscape of creative exploration and innovation, we can't do it alone. We need YOU. We ask you to embark on this journey with us, extending your support by becoming a Member and contributing to our shared mission of propelling CreativeApplications.Net forward.

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