Drone Vision addresses questions of how visibility and verticality are intrinsic to drone technology and its meanings for artistic and political praxis. This book is based on the two-year research project Drone Vision: Warfare, Surveillance, Protest – a collaborative initiative between HDK-Valand, University of Gothenburg, the Hasselblad Foundation, NiMAC, Nicosia Municipal Arts Centre and the National College of Arts in Lahore. Led by Dr. Sarah Tuck, the research project explores the affective meanings and implications of drone technologies on warfare, surveillance and protest.
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Machine Readable Me considers how and why data that is gathered about us is increasingly limiting what we can and can’t do in our lives and, crucially, what the alternatives are.
In this provocative book, Thorp brings his work as a data artist to bear on an exploration of our current and future relationship with data, transcending facts and figures to find new, more visceral ways to engage with data.
This comprehensive overview volume applies Lacan’s dictum RSI (the Real, the Symbolic, the Imaginary) to Scher’s work, examining it regarding the topics Real & Fake, Surveillance & Security & SM, Infrastructures.
Since 2008, CreativeApplications.Net has been a driving force, tirelessly shaping the conversations about technology, society, and critical making. From online and offline publications to live events, CAN has shaped many of the innovative creative practices we know today.
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