“The book is intended as an introduction to programming for designers and artists using the Processing language and environment, a language designed ‘by artists for artists’ and available as open source. It contains 13 chapters, and begins with a relatively gentle introduction to Processing. It continues with chapters focusing on imaging, animation, and three-dimensional (3D) graphics.” (Jeffrey Putnam, ACM Computing Reviews, Vol. 49 (8), August, 2008)
Ira Greenberg directs the Center of Creative Computation and is Associate Professor with a joint appointment in the Meadows School of the Arts and Lyle School of Engineering at Southern Methodist University, Dallas TX. He is the author of Processing: Creative Coding and Computational Art and The Essential Guide to Processing for Flash Developers, both from friends of ED/Apress. Ira received his BFA from Cornell University and his MFA from the University of Pennsylvania.
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This book focuses on a range of programming strategies and techniques behind computer simulations of natural systems, from elementary concepts in mathematics and physics to more advanced algorithms that enable sophisticated visual results.
Thirteen multidisciplinary thinkers probe the ubiquity of randomness across culture and science. Considering markets, weather systems, evolutionary leaps, and world generation in videogames, the invited contributors trace the contours of chance, ‘luck,’ and random number generation from its Cold War military-industrial complex origins to contemporary software art.
Compressed Cinema presents the complete works from Reas’ acclaimed, Untitled Film Stills and is accompanied by a companion text generated in response to the images by Allison Parrish.
Since 2008, CreativeApplications.Net has been a driving force, tirelessly shaping the conversations about technology, society, and critical making. From online and offline publications to live events, CAN has shaped many of the innovative creative practices we know today.
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