Curated by Art ZHIYI, “Chant of the Present Imagery” is an exhibition organized for the 10th anniversary of Taikoo Hui Guangzhou. With an emphasis on data visualization and local links in artistic expression, this exhibition creates a space and time experiment and delivers a multi-dimensional experience.
<B612> is one of the artworks shown in this exhibition. Through real-time data interactions, <B612> invites the public to embark a journey to the planet B612, follow the movement of the star trails and triggers their own understanding of time.
This installation is inspired by the novel The Little Prince, and B612 is the hometown of its main character, the Little Prince. CT.LAB collected some meteorological data of the past decade based on the geographical location of TaiKoo Hui, and the variations of data drive the flow and color changes on the screen, which presenting a constantly evolving star trajectory. This process allows the audiences witness the changes of the past decade through data visualization, and <B612> would be the recorder.
As the saying goes in the novel,
“All men have the stars but they are not the same things for different people. For some, who are travelers, the stars are guides. For others they are no more than little lights in the sky. For others, who are scholars, they are problems. For businessman they were wealth. But all these stars are silent. You–you alone will have the stars as no one else has them–”
Now please join us, gaze the star trails together and feel the track of time.
Credits:
Design Director: Pd Zhang
Project Manager: Liyi Chen
Graphic Designer: Shiteng Su, Wanjun He
Multimedia interaction designer: Mengmeng Yang
Copywriter: Migi Wu
Support CreativeApplications.Net
Since 2008, CreativeApplications.Net (CAN) has been a driving force, tirelessly influencing and shaping the conversations surrounding technology, society, and critical making. With a community of 1600+ members and a vast library boasting over 3,500 meticulously curated projects, experiments, texts, and reviews, CAN stands resolute as an unparalleled resource for students, educators, practitioners, curators, and cultural producers.
However, as we navigate the stark reality of independent publishing, we need your help! Please embark on this journey with us, extending your support by joining our community as a Member and contributing to our shared mission of propelling CAN forward.
Joining CAN is only $20 per year! (less than $2 per month) and it includes:
- Access thousands of projects, scores of essays, interviews and reviews.
- Post your projects, events, announcements.
- Join our Discord for events, open calls and even more projects.
- Tutorials (beginners and advanced) with code examples and downloads.
- Find employers who have recruited here in the past (over 1,000 jobs).
- Special offers and giveaways (events, books and media).
- No advertisements or banners of any kind, ad-free reading!
Joining CAN as an organisation (up to 40 users) is $200 per year and it includes:
-
Everything in the 'Standard' option plus:
- Submit articles/announcements as often as you need, carefully edited and published on the site by our team of writers.
- Reach thousands of daily CAN readers through articles and social media.
- Join our Discord to publicise events, open calls or projects.
- Your activities are boosted on our social media channels.
- Your events are included in our public calendars.
- We share ideas, networks, and resources with you.
You can also support CAN by donating
Click continue to donate with Stripe or you can also use PayPal, ETH, Bitcoin or Tezos/++
What happens when you mix soap bubbles and lasers? Memo Akten, 1/3 of Marshmallow Laser Feast, just got hold of Etherdream DAC laser and has been “messing” with it using openFrameworks.
Review of the exhibition last month at the Asia Culture Center in Gwangju, South Korea – a collection of 12 works questioning the essential meaning and significance of the data world.
In a world constantly adjusting and adapting to new methods of communication and connection expedited by rapid technological advancements, artist Amay Kataria explores what it means to be human.
61.4223 invites viewers to experience the moment of contemplative observation of a transformed landscape. Comprised of sculptural representations of German open pit mines inside a 1m³ cube, and alongside mechanisms that mimic the movement of (counterpart) excavators, the installation visualizes exactly how many cubic meters of earth have been moved since the installation started.