Lab212 is an interdisciplinary art collective, founded in 2008 in Paris. https://lab212.org/

Casey Reas is an artist and educator. His work ranges from small works on paper to urban-scale installations, and he balances solo work in the studio with collaborations with architects and musicians. With Ben Fry, Reas initiated Processing in 2001; Processing is an open-source programming language and environment for the visual arts. https://reas.com

Open so(u)rcery, Computational/Generative Design/Art/Tools/Research/Edu since past century / https://thi.ng

Quadrature’s artistic research focuses on data and physical experiments. The Berlin based artist collective including Juliane Götz, Sebastian Neitsch and formerly Jan Bernstein (until 2016) understand technology as means to read and write realities. https://quadrature.co

Elliot Woods is an artist at Kimchi and Chips where he tests alternative relationships between images and reality. Here he participates in conceptual and technical design of projects, and develops techniques in computer vision, machine learning and robotics. https://www.kimchiandchips.com

Kim is a visual and conceptual artist. He is widely know for his Pixel Sorting works and script, the creation of file formats as work of art or The First Animated GIF Send Into Deep Space. https://kimasendorf.com

Michael Candy is an artist whose work reflects the socio-political currents of contemporary technologies. https://michaelcandy.com

Golan Levin develops artifacts and experiences which explore the expressive use of computation, focusing on the design of systems for the creation, manipulation and performance of simultaneous image and sound, as part of a more general inquiry into the formal language of interactivity, and of nonverbal communications protocols in cybernetic systems. http://www.flong.com

Philipp Schmittis an artist and designer based in Brooklyn who engages with the philosophical, poetic, and political dimensions of computation. https://philippschmitt.com

David Letellier focuses on the perception of sound and space, on the edge of architecture, sound and art. His work, ranging from audiovisual performances, sound installations, to autonomous machines or conceptual drawings, can be defined as "an attempt to express sound as a form in movement". http://www.davidletellier.net/